The $1,000 Bill: An Unexpected Call, a Problem to Solve, and a Piece of American History
Got a rush call from the gym: photograph a rare 1928 $1,000 Federal Reserve Note for a charity auction. The catch? It was sealed in acrylic. How I solved the problem, and what I learned about a piece of American financial history.
Yellowstone Through a Photographer's Eye — What the Park Taught Me About Seeing
A Sacramento photographer's first visit to Yellowstone — chasing bison through geothermal steam, shooting Old Faithful in a storm, and remembering why photography still matters.
What to Wear for Your Corporate Headshot | Sacramento Photographer
Practical wardrobe advice from a Sacramento photographer. What to wear, what to avoid, and why bringing options always pays off.
Why Photographers Should Still Shoot Personal Work
A recent portrait photography session in downtown Sacramento reminded me why personal work matters. Personal projects allow photographers to experiment with lighting, gear, and creative ideas that often influence their professional portrait work.
Looking Back at 2025 . . . Finding Rhythm, Balance, and Purpose
2025 was a year of rhythm—refining executive portrait work, improving workflow, and staying grounded through meaningful personal projects that continue to shape how I approach photography.
Why I Enjoy Photography More Than Ever
After years behind the camera, I find myself enjoying photography more now than when I first started. The technical side — lighting setups, exposure, gear quirks — no longer slows me down. Those things are second nature at this point, which means I can focus on what matters most: connecting with people.
Mahon Ranch Cattle Roundup: A Day Inside a 140-Year Sacramento County Working Ranch
There’s a kind of clarity that only comes after spending a full day in the dust, heat, and rhythm of a working ranch. Watching generations of cowboys handle 120 head of cattle—not for show, not for nostalgia, but because it has to be done—reminds you what real work looks like. This wasn’t a photo op. It was a way of life. And I was grateful to be invited into it, camera in hand, just trying to do it justice.